Monday, 23 January 2017

WHATEVER HAPPENED TO THE CLASS OF 2016?

Six months ago I kicked out 15 talented young creatives from my
course. 

They didn't want to leave.

They wanted to stay another year and look after the college cat.

The fact that we didn't have a college cat was a sign they definitely needed to get out in to the real world.

I asked the teams to do two things.

One: get in the business.
Two. make it better.

They have done the first part.

Now for the fun bit.



George Robb at RKCR/Y&R.



Bryn Jones-Walters and Olivia Adda have already won an award whilst working at Mother. They are now gainfully employed by Crispin Porter.



Chaz and Lucy, the cheeky girls, were hired by AMV after joining straight from Watford.


Charlie and Max cracking out the campaigns for Grey. Nice flowers.





Sarah and Jules (in the black coats) are gainfully employed by The BBC. 

Connor and Charlie were hired at Karmarama after a spell at Y&R.


Tom and Dave fought their way to a job at VCCP.



 Dan Scott, currently at Duke. With JWT and Isobel lined up.


Mel Mcginnis was last seen working at Engine.

Well done to everyone from me.

And the college cat says, 'meow' by the way.







Wednesday, 18 January 2017

YOUR FOLIO IS YOU.











We live in difficult times.  

Bankrupt economies, sluggish growth, Brexit and the continuing wars in Afghanistan, Libya and Syria have cast uncertainty over many businesses.

Clients don't like spending money in the best of times.

They all want advertising for nothing.

Or they don't want advertising.

In 'adland' the fatted calf is being slowly starved. 

Its rib cage is prominent.

Tech companies, content agencies and start-ups are doing well but the traditional above-the-line agencies are struggling.

Some have a hiring freeze right now.

Very few agencies take on junior teams with the frequency they used to. 


So, if you are looking for an easy time in the next couple of years you are looking at the wrong business.

This doesn't mean that there aren't jobs out there. 

There are. 

It's just a different kind of person that's getting them.

You need the right folio. 

When I say the right folio, I mean the one that's right for you.
 

And the one that's right for the agency you want to work for.

The folio that shows off your individual taste.

The folio that shows you can solve difficult problems with a fresh solution. 

A solution no other creative team could have come up with.

The folio that shows that you understand the issues of the day.

The folio that demonstrates how you can improve an individual’s life.

The folio with big ideas executed across different media platforms.

The folio that shows craft skills, writing ability, art direction, design, software and social skills.

The folio with films you've shot on your phone at the weekend.

The folio with ads, games, business ideas.

The folio with a surprise on every page.

The folio that shows you are passionate about culture, creativity and humanity.

The folio that says, 'You've got to meet me.'

A good folio will contain 8 campaigns. 5 minimum.

People would rather see less work but of a higher standard. 

Don't put anything that you're not proud of just to make up a campaign. 

If you don't believe in it, why should anyone else?

Put the best campaigns at the front and at the back of your folio. 

Your folio should be balanced and varied. 

And every campaign and execution should be poster simple regardless of the media. 

You need a wide range of products and services with different tones of voice and different audiences throughout.

Be different.

Pick products that everyone else is doing and do them differently.

Pick products that no one else is doing.

If your idea is familiar, forget it. 

There is no point in going all the way to London to be told, 'It's been done before'.

Know your history and better it.

Ads are an intrusion.
  
Why should people stop and look at your ad? 

Unless your ads are interesting or emotional don't put them in your book. 

Work on them.

Or come up with some new strategies.

Work with emotional truths, in particular work with the emotion of your target audience.

You need to find a BENEFIT.  

A target audience is one person, so get your executions talking to that person. 

And talk to them in the way they talk.


Tone of voice is critical.

You don't want to sound like an ad.

You want to sound like a mate.

Reward your audience. 

Enlighten them, engage them, provoke them, tease them, flatter them, surprise them, bring tears to their eyes, make them laugh. 

Answer the punter's question, 'What's in it for me?' 

They want to be rewarded with fun, insight and something that is interesting. 

They want to be involved in your idea.

And if they can't be involved they want to share and talk about the idea.

If you cannot reward your consumer you need to get back to the drawing board.

Steer clear of long copy. 

A crisp headline. shows you can write.

So can a well written strap line.  

The art of writing is saying a lot with little. 

You can say a lot in 6 words.

Don't be worthy . 

And don't be dull. 

Your folio is you. 

It is your thinking. 

And it is your personality.


If you are a hard working, insightful and unique thinker it will show in your folio.

Creative directors will only hire you to make them look good.

Dogs smell shit. And Creative Directors smell dull.

If you can't imagine doing anything but working in advertising you'll get a job.

It might not be the day you leave college.

It might not even be the year you leave college.

But if you stick with it, work hard and believe in yourself you will get a job in advertising.

The hardest workers and the nicest people always get the jobs. 


Eventually.















Tuesday, 29 November 2016

CREATIVITY IS A BRILLIANT DISGUISE.


Someone once said the art of creativity is 'disguised stealing'.

We all do it. I once wrote a TV ad for Sure deodorant which ripped off a scene from Indiana Jones. I used the scene where Indy fell through the top of a pyramid in to a pit of angry snakes. I even used the same snakes from the film. A rather obvious-shamefully-lazy can't-be-arsed- rip-off on my behalf.


The art of disguised stealing is to use, or appropriate, an idea that hasn't been seen by the brand's audience. 

I have decided to rate some advertising ideas on how well they are disguised. 


Disguise Rating: Out of 5.


1. A Royal Guardsman in full military uniform on a nudist beach.
2  A big toe toe nail in a small meat pie.       
3  Groucho Marx mask made with real skin.
4  A bearded tit a hundred feet in the air with a flock of coal tits.
5  Harry Potter's Invisibility cloak worn by the Invisible Man.


 Volvo. Live paint.



Originally used to paint deer antlers in Finland to cut down on road deaths. Widely reported on BBC news networks and the national press in early 2014. Later appropriated for Volvo and cyclists.

Disguise rating: 2.  A big toe toe nail in a small meat pie.  


















Guardian newspaper and mock law trials.






You don't have to take too many clicks before you find films of theatre groups, schools and university law students running through mock trials of nursery rhyme characters. The trial of Goldilocks is a favourite at UCLA.


The idea for the 2014 award winning Guardian ad was woefully transparent. However, the execution added value and the writing craft and production took the idea to a new level.

Disguise Rating: 
3. Groucho Marx mask made with real skin.                                                                                                                                         

Toshiba and Simon Faithfull's video art.
                                                                               


The video artist Simon Faithfull's Escape installations came from a very personal feeling that he was 'tethered to a mundane realm.' His piece, Gravity Sucks, opened at the BFI in 2009. I doubt very much the audience for Toshiba had seen this. They were tethered to their own armchairs watching Grey's Space Chair ad on their Toshiba televisons.

Disguise Rating: 5.  Harry Potter's Invisibility cloak worn by the Invisible Man.



Honda and Fischli and Weiss.



In 1986 artists Fischli and Weiss rented a huge empty warehouse and created an art film called The Way Things Go.  The film showed 'everyday' objects colliding to create a fluid moving narrative.



In 2003 Fischli and Weiss threatened legal action against Honda for copying 

their film for the Wieden and Kennedy produced ad called Cog.

Fischli and Weiss had refused several requests to use the film for commercial purposes,

Wieden and Kennedy eventually admitted to copying a
sequence of weighted tyres rolling uphill.

The controversy was blamed for denying Cog a Grand Prix at Cannes.

Disguise Rating:  4.  A bearded tit a hundred feet in the air with a flock of coal tits.





David Letterman throwing coloured balls down a street and Sony Bravia televisions.

In 1996, David Letteman released thousands of coloured balls down a steep street in San Francisco. 
In 2005, Sony did the same thing to promote the quality of their colour televisions. 

When you take an idea from one of the most popular television shows to advertise a popular television shame has all but disappeared.

Letterman also released thousands of melons down the same street which curiously wasn't ripped off by a sports bra brand.

Disguise rating: 1. A Royal Guardsman in full military uniform on a nudist beach.




John Lewis and Youtube foxes.

Videos of foxes bouncing on trampolines
have been appearing on Youtube 
for over ten years now. I suspect the only fox films John Lewis shoppers watch is Basil Brush with their kids.

Disguise rating: 5.  Harry Potter's Invisibility cloak worn by the Invisible Man. 





This blog post. 

Disguise rating: -1. A coal tit pretending to be a toe nail on a nudist beach of bearded tits in Groucho Marx masks made of real skin. 



















                                                                                         



















Monday, 14 November 2016

How to write a John Lewis Christmas TV ad.



1. Work hard.
2. Join the Watford Ad School.
3. Work hard.
4. Get a job at Adam and Eve/DDB.
5. Work hard.




                         By Ben Stilitz, Watford class of 1999.









By Milo and Sophie, Watford class of 2010 and 2009.




By Aiden and Laurent, Watford class of 2003.



By Frank Ginger, Watford class of 1997.



Monday, 5 September 2016

The Bothersome Man.


One of my favourite films of recent years is Jens Lien's The Bothersome Man. It's a Norwegian film I heartily recommend.

It's about a young man who arrives in a small grey town where people have grey thoughts, work in grey jobs and live in grey buildings. 
Everybody in the town is smiley, dull and boring. 

The main character works as an accountant in an office where everyone is overly polite to each other. 
No one speaks the truth. 
No one has an opinion. 
No one has taste. 

In this post-modern politically correct society, the notion of speaking out, or having a different opinion would be offensive and rude. 

So, everyone in the town is conditioned to agree with each other. 
Agreeing is placid. 
Agreeing is, 'we are all on board.' 
Agreeing is the consensus that makes us feel comfortable. 
Agreeing will keep us in our jobs.
Agreeing is easy.

There is a scene in the film where the staff are having lunch in the office canteen.

One of the female workers is choosing a sofa for her home.
She shows her work colleagues the catalogue of sofas. 
All the sofas look the same. 
She agonises over making a decision and getting it wrong.
She makes a safe choice.
Her work colleagues approve of her choice. 
She is happy. They are happy.
The Bothersome Man can't believe they all agree with this safe decision. 
He wants to say, 'this sofa is shit. It's just like all the other sofas. Choose something different. Be an individual'.
But he doesn't say anything. 

Anger, jealousy, passion, love, humour are all casualties of this benign, polite society. 

The Bothersome Man wants to feel and taste real emotions. 
He wants to laugh, hate, shout, get pissed, rage, fight and love. 
He wants to be an individual. He doesn't want to be conditioned to fit in.

Lien's film is set in an accountancy firm. 
It could easily have been set in a modern day advertising agency

Every creative industry needs more Bothersome Men and Women.




Wednesday, 31 August 2016

Work ethic.




August Bank Holiday Monday was a lovely day. 

Many were out in Soho and enjoying the late summer sunshine and a well deserved break from work. 

I found myself walking down Kingly Street toward the offices of BBH.

Outside the agency was ex-Watford and BBH creative, Sara Sutherland.

"What are you doing here?", I asked.

"Working on briefs. There are more ex-Watfords in the agency today. Come on up", she replied.

I went up to the creative department  and found five of my ex- students toiling away. 

Dan Delhavi, Drew Haselhurst, Ash Hamilton, Lance Boreham and Sara were putting in some extra hours.


There were the only creatives in the whole building. 

In fact, save for the security guards, they were the only people in the whole building. 

"Have you all been summoned to come in today?", I enquired.

A resounding "NO" came from all five.

When you have a brilliant job that offers brilliant opportunities and you are building your career you do what it takes to get on. 

Sometimes, that means working voluntarily on a Bank Holiday.

No wonder so many  ex-Watford students get to the top of this crazy business.










Thursday, 7 July 2016

ALL THINGS MUST PASS





Bye bye Watford.  Running toward Adland with folios in hand.

It is Friday July 1st.  The last day of the 2015/16 Watford programme. 

The graduating teams collected placements as if they were Euro 2016 Panini stickers. 

Sarah Fox/Julia Middleton: Grey, BBH, Anomaly, CHI, Saatchis, JWT and Droga5.

Tom Lee/David Gibbs: VCCP.

Dan Scott: Mother.

Lucy Jones/Chaz Mather: AMV, The Joint, JWT, WCRS and BBH.

Bryn Jones-Walters/Liv Adda: Crispin Porter and WCRS.

George Robb: TBWA, Anomaly and Rainey Kelley.

Connor Stephen/Charlie Ditchfield: Burnetts and Rainey Kelley.

Charlie Smith/Max Gil-Engel: CreatureLondon and Karmarama.

If you helped me out over the past year,  a big thank you.

I couldn't have done it without you.

If you didn't help me out, there's always next year.

Tonyx


End of year pool party at Mike Comley's house..